“While working on his MFA in photography at the San Francisco Art Institute during the 1990s, Zig Jackson turned the camera on himself. He wryly explored the ways that he, a Native American, moved through a large American West Coast city that was once the land of Indigenous peoples including the Ohlone, Chochenyo, Karkin, Ramaytush, Yokuts, and Muwekma. While wearing ‘everyday’ clothing including jeans, athletic shoes, and sunglasses, Jackson also donned a feathered headdress symbolic of his Mandan, Hidatsa, and Arikara heritage and tribal identity. He then went about daily activities throughout San Francisco—riding the bus, visiting the famous Painted Ladies homes along Alamo Square, and walking along Ocean Beach.
Jackson’s pointed imagery pushes us to acknowledge the stereotypes that continue to harm Indigenous peoples while counteracting the widespread belief that Native Americans today live on isolated reservations, far from city centers, and are few in number. In fact, at least 19,000 Native Americans live in San Francisco. Portland is home to 60,000 Native Americans descended from over 380 tribes. More than 110,000 Native Americans live in New York City today.
A number of Jackson’s photographs will be included in the Museum’s upcoming exhibition, Ansel Adams in Our Time, which opens on January 30, 2021. Contemporary landscape photographs like Jackson’s will extend Adams’s photographic legacy beyond his own time and into the present day. These contemporary works prompt questions about the lands we live on, how we use natural resources, and how we treat those whose histories on these lands reach back thousands of years.”
—Julia Dolan, The Minor White Curator of Photography
Zig Jackson (Mandan, Hidatsa, Arikara, and American, born 1957). Indian Man on the Bus, from the series “Indian Man in San Francisco,” 1994. Gelatin silver print. Museum Purchase, 2016.81.2 © #ZigJackson