Tag: glass beads

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Daily Art Moment: Haudenosaunee / Iroquois artist

Haudenosaunee/Iroquois artist, Pouch, 8 x 4 inches, cotton, silk and glass beads. A photo of a colorful U-shaped pouch with handle against a gray background. The pouch is slightly narrower at the top then widens at the bottom. At the center, set against black velvet is a large, white, beaded flower topped by a pink, beaded flower with pale green, gold, and blue, beaded leaves. Surrounding the flowers are white and brick-red beadwork lines composed of three white beads, two larger brick-red beads, then three white beads. Each line radiates outward from the flowers at center. Two lines of white beading encompasses the center designs running along the edge of the pouch. At the outer edge of the pouch is a red cotton border with loops of gold beads along the sides and turquoise blue beaded loops along the bottom. Some areas of beading are missing at the bottom center and at the left edge. The top of the pouch shows a thin, short, tan cotton handle. Pale blue ribbon embellishes the opening of the pouch but is partially missing, exposing the hand stitching along the pouch’s opening.

This small but ornate pouch represents a very distinctive beadwork innovation created by Haudenosaunee (Iroquois) artists in the mid- to late-19th century. Small fabric bags, pin cushions, photo frames and other purely decorative forms, known as “whimsies,” were beaded with thick layers of stacked beadwork. The artists often favored translucent beads on black or bright…  Read more

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Daily Art Moment: Marcus Amerman

The Gathering, Marcus Amerman, 10 1/8 x 17 inches, glass beads on cotton cloth. A horizontal, rectangular work depicting a grouping of individuals on horseback arranged in a line in front of the Portland skyline with Mt. Hood in the distance. The grouping takes up the lower half of the work. They are shown on a patch of pale green grass wearing white feather headdresses and finery in blues, brick red, white and yellow. Their brown and white horses are adorned in similar colors. Just behind the group on the left are 2 brown tipis. The cityscape in the middle ground is composed of geometric buildings beaded in gray, white and black set against the blue and white mountains and blue sky in the upper half.

For #NativeAmericanHeritageDay, it seemed a most appropriate choice to feature this celebratory work by Marcus Amerman (American and Choctaw, b.1959), titled, The Gathering (1997). In this completely beaded panel, the artist has depicted a group of Native American riders, bedecked in their finery, including feather headdresses and beaded horse gear, standing proudly against a Portland cityscape.…  Read more